A design process involving collaboration with Jason Whitely of Matheson Whitely allowed for an extensive distillation of conceptual thinking, with continual ongoing dialogue between Auckland and London. The house manifests as a volume of logic, symmetrical in form and efficient in layout. A square plan and corrugated roof references historical structures of the region such as minor’s huts and agricultural structures. A rationalised layout facilitates the opening and closing of interior spaces to suit the needs of the occupants, and a pyramid-like roof form affords visual clarity in the vast landscape, conceptualised as an abstraction of the surrounding mountain peaks. Laid out across a nine-square grid, the ground floor consists of a series of adaptable, interchangeable rooms structured around a central open fireplace. “The plan establishes a continuous field, allowing free movement throughout,” explains Keshaw. Within this ‘field’ are several heavy concrete volumes that anchor the plan and provide moments of stillness across the open spaces. Concealing sliding windows and doors commits to the sense of transparent thresholds and open edges that invite the landscape inwards. Within the void of the roof, a sleeping space provides opportunities to connect to the sky and mountaintops from a higher vantage point. Here, a single gesture – a bold circular aperture – establishes a meaningful and whimsical connection to the exterior.