正文
与其只关注表面美学,不如从形式的角度来考虑空间。通过将定期更新的产品包装作为空间的焦点,而不是固定的展示,作为辅助产品的次要元素,我们可以减少设计停滞带来的审美疲劳。
Instead of focusing solely on surface aesthetics, consider space in terms of form. By making regularly updated product packaging the focal point of the space rather than fixed displays, which serve as secondary elements supporting the products, we can reduce aesthetic fatigue caused by design stagnation.
人类的视觉感知是高度敏感的。当反复暴露于固定的视觉刺激时,眼睛会产生审美疲劳,并自动忽略它们。但是,如果商店更像一个有机体,不断生长和变化呢?展示橱窗的设计类似于装置艺术,由存放咖啡豆包装盒的架子组成。
Human visual perception is highly sensitive. When repeatedly exposed to fixed visual stimuli, the eyes can experience aesthetic fatigue and automatically overlook them. But what if the store were more like an organism, constantly growing and changing? The display window design, resembling installation art, consists of shelves storing coffee bean packaging boxes.